Extraordinary claims. Ordinary investigations.

The first five issues of the “Zetetic Scholar”, published by Marcello Truzzi, are available online for download on George Hansen’s website. As Luis Ruiz Noguez points out:

“The consulting editors are impressive. We see an incredible and unrepeatable mix of believers and skeptics of all camps of the paranormal world: Milbourne Christopher (magician and skeptic), Persi Diaconis (mathematician and skeptic), Martin Ebon (writer and editor of paranormal subjects), Christopher Evans (magician and skeptic), Martin Gardner (science writer and skeptic), Michel Gauquelin (astrologist), Bernard Heuvelmans (criptozoologist), Ray Hyman (psychologist and skeptic), J. Allen Hynek (ufologist), David M. Jacobs (ufologist), Edward J. Moody (parapsychologist), Charles T Tart (parapsychologist) y Ron Westrum (writer in paranormal subjects).”

All edited by Truzzi. You can’t, no, you shouldn’t miss them.
[via Note Zetetiche, Paranormal Trickster]

Given the recent news about the head of an alleged Chupacabras, we offer photographic evidence of a very real and alive specimen. Do not be fooled by its size. It’s deadly.

UPDATE: We have been linked by TDG (thanks!), and I thought I should post a better version of the image for those skeptic about it. Beware.

Meanwhile, I received an email of another Chupacabras specimen:

Seriously, it’s nice that criptozoologist Coleman has offered help to analyze DNA samples from the “Chupacabras” head.

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From Wikipedia: Oliver was a performing chimp who was once promoted as a missing link, or a “Humanzee” (a human-chimp hybrid). However, despite his somewhat unusual appearance and behavior, Oliver is, genetically speaking, a normal chimpanzee. Anthropologist David J. Daegling (in Carroll 2005) writes:

“‘Oliver’ is a habitually bipedal ape that has captured the imagination of both laypeople and scientists. He has been touted as a relict australopithecine, a bigfoot, or even the result of a clandestine human-chimp hybridization experiment. After years of lively debate, Oliver’s DNA was sampled to settle the issue and perhaps provide us with a breathing version of the missing link. The results are in … and, alas, Oliver is just a standard-issue chimpanzee with a penchant for walking.”

Watch above the first part of a documentary on the subject. The rest can be seen on haha.nu: Oliver the Chimp.

Over at Cryptomundo, Loren Coleman shares some uses of the term “Chupacabras” before it was made popular in 1995, “Chupacabras 1951“. Quoting Kenneth Thomas:

…watching the 1951 movie Bride of the Gorilla with Raymond Burr and Lon Chaney. Burr gets poisoned by a witch and either starts becoming a gorilla or it’s all in his mind and he’s running around naked at night in a South American jungle. The natives are convinced that it’s a legendary beast called something like a “sucaris.” (It was hard to tell from the dialect.) When they describe the legendary beast they are quite clearly describing a Chupacabras. The verbal descriptions were a match. When they decide to set a trap for it, they use a live goat as bait. They do bring a goat to the trap they set for the creature.

Coleman also mentions the birds called “goatsuckers” in Spanish, of the Caprimulgiformes order, which means literally goat-sucker in Latin. According to Mexican researcher Luis Ruiz Noguez work on the Chupacabras, those birds are indeed called popularly goatsuckers in Spanish, but the actual term used is “Chotacabras”.

“Choto” or “Chota” is the name given to the goat offspring when it’s sucking milk, and the popular (and erroneous) legend is that these birds are able to open their beaks so wide they could suck milk not only from goats, but from cows as well.

But the relationship between the Chotacabras birds and the Chupacabras is more interesting than a mere similarity of names and alleged behaviour, because the main promoter of the Chupacabras in 1995 was also involved on one Chotacabras case some years before.

In 1989, Puerto Rican Jorge J. Martín promoted the case of a bird with snake-like fangs allegedly found and captured by relatives of María Ortiz Hernández while they were fishing. It was promoted as the “serpent-bird of Gurabo“, and if you may wonder where such chimera idea would have come from, you just have to read how it was immediately related to the Quetzalcoatl legend.

Much was made of the creature, which was available for examination, until one policeman visited the house where it was preserved, grabbed the creature and removed its fangs. They were merely parts from the feet of a rooster, attached to a common bird’s beak.

Perhaps more importantly to our post here, the bird was a chotacabras.

And you can actually see some later drawings of the Chupacabras where it also has big fangs and wings.

So, as Noguez pointed out, you can add the “serpent-bird of Gurabo” hoax involving a Chotacabras to the predecessors of the Chupacabras mania that swept the world around ten years ago. According to the Mexican researcher, the term “Chupacabras” is a simplistic and erroneous use of the more widely known term Chotacabras.

Oh well. I was almost forgetting.  While you will probably not find any use of the exact term “Chupacabras” in the Bible, Spanish or otherwise, you will find the term “Chotacabras”, according to Luis Noguez. And it’s related to Lilith. Another kind of mythic vampire.

The “Chupacabras” is similar, both in appearance and on its background story, to a contemporary videogame character, ‘Sonic, the hedgehog’. While this short essay does not intend to claim that the electronic character was the origin for the Chupacabras, it will try to explore these curious similarities. Others have already noticed this link between the two, but usually with a tongue-in-cheek. There is however some room for serious speculation about it.

Appearance

The most widely known representation of the Chupacabras is related to its genesis with this name in Puerto Rico. If you have ever read something about the subject, it’s very probable you have seen some version of the original sketch by Jorge Martin for the sighting of Madelyne Tolentino. It was created in December 1995, and one notable thing about it are the curious pointy appendages running along the spine of the creature.

This is exactly the trademark of Sonic, created in 1991 by Naoto Oshima and turned into the official mascot for the Sega videogame company. As a stilized hedgehog, those spikes are easily understood.

 The Sonic games franchise, which extend to this day, reached its peak success exactly in mid 1990s. Online websites mention that at this time, Sonic was more popular among american children than icons like Mickey Mouse, Abraham Lincoln or Mario (from rival Nintendo).

In the original description by Jorge Martin above, the “spine-like apprendages” are described as having colors that “change  constantly from red to blue, to yellow, to green, to orange, to violet”.

When Sonic jumps and spins to turn into a kind of ball to roll away or combat his enemies with his spikes, he is also involved on a bright sphere of multiple changing colors.

Story

“At first I believed these animals to be the result of some genetic or bionic experiment“, wrote Jorge Martin. This was among one of the first speculations about the origin and nature of the Chupacabras, though other stories emerged after a while. “I now believe that they are not of terrestrial origin“, Martín added.

The culprits of the “genetic or bionic experiment” were, of course, the Americans, who have military bases in Puerto Rico. People speculated that one or more genetic monsters had just escaped. This particular version is an almost exact parallel to the background story for the Sonic videogames:

“Once upon a time there was a peaceful world called Mobius that is threatened when Dr. Kintobor, a kind scientist who was researching the Chaos Emeralds, is transformed into an evil megalomaniac after a lab accident. All the beautiful animals of the planet are transformed intro evil robotic beings, Badniks — except for Sonic the hedgehog, a friend of Kintobor that was too quick to be captured. Now Sonic must find the Chaos Emeralds, rescue his friends and defeat Kintobor before it’s too late”.

Dr. Kintobor, turned into evil Robotnik, transforms gracious animals into bionic robotic slaves, poluting and destroying the planet on his way. The whole game was “Captain Planet” style.

Discussion

The Chupacabras didn’t appear from nothing in 1995. It didn’t came from the blue videogame character either. The origins of the Chupacabras can be traced back to “animal mutilations” in USA almost three decades earlier, and to the “Moca Vampire” of the very same Puerto Rico in 1975. These coincidences between the appearance and stories for Sonic and the abominable sucking creature may well be just that. Coincidences.

Representing spines or “appendages” the way Martin did in his drawing does not necessarily proves that it was based on a Sonic drawing. Any child, if asked to draw a hedgehog or an animal alike with spines, may draw something similar. The Chupacabras, furthermore, despite having being described as a color-changing creature, was also described and more usually portrayed as having more dark tones.

Obviously a multi-colored character is more appropriated for fun child characters than scary monsters.

Having made all of these points, and noting that probably are many reasonable others, we cannot help but to also suggest that maybe these are not just coincidences.

Both the Chupacabras and Sonic may have been cultural products that emerged and reached huge success at around the same time. They are both always referred to as a single character, as if there was only one of them – this is not very evident in English, but in Spanish countries where the language clearly differs between singular and plural forms, the Chupacabras is always referred to as a single creature. This was emphasized by Argentinian Max Seifert at the time as an indication that the phenomenon was about a myth, and not the effects of an unknown species of animals.

While Sonic in the end may not be the origin for the Chupacabras, the same cultural references and influences could explain both of them.

And then, in the end it’s always possible that Jorge Martín was playing with his children’s Sega Genesis. Or not, maybe it was just a Master System.

References

There are great in-depth dossiers in Spanish about the Chupacabras over at MarcianitosVerdes. They cover the arrival of the monster in Mexico, Argentina and Chile.