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Archive for the 'Criptozoology' Category

Poor Brazilian, a "Horned Bipedal Beast"


Click on the image for the original post on Loren Coleman’s Criptomundo. The photo was sent to him with this report:

Loren, hopefully you can shed some light on this thing. The thing has many human qualities I can see under a scope. [It] appears to have clothing, however the burnished bronze color throws me off. [It was] photo[graph]ed by a 15 year old American girl. She was on tour with a group from Michigan. Supposedly the temp. is 100+.

Loren, the photo was taken in July 2007. The story behind it is this little 15 year old girl was attacked by this [thing]. How it happened is unclear. I met personally with the girl and her parents; I felt imposing since I had just met these people for the first time. It was a large family gathering and I was an outside guest invited. Still not sure why I was invited other than they had motorcycles and needed answers to questions. I was their answer guy.

Her father plainly said she’d not be going on anymore trips out of his sight. Supposedly this thing grabbed her and attempted to hold her and put mud in her face and hair. She said she couldn’t get away from it by pulling so she got a firm hold and tackled it causing it to lose balance thus allowing her escape.

Supposedly there are other witnesses; I am still trying to get more info.

The area is: Porto Seguro, Bahia, Brazil.

Surely, someone there knows of this incident.Two-Cam McLaren, August 9, 2007.

Coleman thinks it’s “intriguing, if not curiously prosaic”, and remarks that “anything is possible as an origin of any new photo”. It turns out that though anything is possible, the most prosaic explanation indeed must be the answer to this. And it’s so prosaic any Brazilian, like me, would find it not only obvious but slightly revolting.


That mud area we can see in the photos is what is called “manguezal“, and it’s a very  important ecosystem in Northeastern Brazil, not only for the environment but also for the locals. The image at left of very happy people are some tourists bathing in mud, but the  second and third one are from locals earning their life. They mostly catch crabs in the mud, and end up almost completely covered in mud.

It’s obvious the original photo sent to Coleman is of a local covered in mud, probably a man. You can see that he’s wearing a T-shirt and pants. The “horns” are the same as we can see in the tourists above: it’s just something you can do with your hair when it’s covered in mud.

The “Manguezal” culture was even promoted in the 1990s in Brazil as a nice cultural movement, the “Mangue Beat“, leaded by band “Chico Science”.

Now, Coleman may not be blamed for sharing this pic, warning about it possibly being fake and asking for input. People outside Brazil may not be used to see homo sapiens covered in mud — though even Americans my have watched somewhat similar “Give it Away“.

But those who sent the photo and called that guy, very probably a poor local earning his life, a “Beast”… I don’t know which is worse: that they were indeed “attacked” by “it”, and did not realize it was a human being; or if they knowingly called a local a horned Beast.

Update: Coleman quickly and kindly posted our explanation on Criptomundo.

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Aquatic "alien" video

Turn down the volume (unless you are into loud Arabic music) and check the video above. A few months ago, infamous paper Pravda reported that “Russian fishermen catch squeaking alien and ate it“. The video clearly shows the same “alien”. As Mexican weblog MarcianitosVerdes wrote at the time, it’s another Garadiavolo case.

As you can read on our entry about those abominable creatures, they are just common rays, skates and species alike. What look like evil eyes are actually nostrils. The real eyes are on the other side of the fish.

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El Garadiavolo (or Devil Alien Fish)

xchupacabra1It’s not a very nice image, and the strange creature has such a horrible face that it was called “Garadiávolo” — the devil’s face.

The story associated with it is no less bizarre. Alfredo Garcia Garamendi was exploring the Laguna Negra on Puerto Rico when he was attacked by it. In spite of its small size — less  than three feet — it had a supernatural strength.

I shot at it“, Garamendi told later, “but even being hit the animal quickly started attacking me again on the neck, and I felt that it was starting to choke me with its tail. Then I managed to reach my knife, and kept stabbing the animal until I felt it was motionless around my neck, because it was dead.”

The horrifying fight in 1974 wasn’t actually the first. Garamendi had already managed to capture one animal from this bizarre species four years before, but that time things did not end very well. Not so much for his physical integrity, but for his scientific interestes.

He had sent it for analysis in the Central University of San Juan. Afterwards, when he got his creature back, he was visited by men from the CIA, who demanded to take it away. He never saw it again.

More careful this time, Alfredo Garamendi decided to preserve and study the specimen in his own house. He wrote a book about it, drawing the creatures along with flying saucers, though he didn’t believe they “came from another planet“, but rather from “another dimension“. What for? “Maybe for the same reasons we have for sending monkeys and other animals to other worlds, to see if they survive on an alien environment“.

The strange events didn’t stop there. Garamendi’s wife didn’t like the mere creature’s presence, even if it was dead, in her own house. Not only because her husband spent many hours studying it, or even because of the many visits by journalists and curious people alike, but because of a series of unfortunate events that happened on her family since they hosted the Garadiávolo.

Eventually, there was an explosion on their house and the second preserved specimen was also lost, this time reduced to ashes.

So, what the hell are the Garadiávolos?

They could be just crude plastic or rubber models, along with unbelievable and very bad stories — including CIA agents and ever-vanishing evidence. But the case is more interesting than that because the animals are real.

It’s only that they are not actually “Garadiávolos”, aliens or dimensional beings, or freaks of the nature.

Mexican researcher Luis Ruiz Noguez points out that Garadiávolos are just common flat fishes, like skates, rays, batfishes, etc., which are cut and dried to end up with this bizarre humanoid appearance.

The thing is that the lower part of those fishes do look like a face, but what we think are the evil eyes are actually the nostrils. The real eyes are on the other side.

A common Ray. The nostrils look like eyes, and this one has a sympathetic face.

They can be huge, funny thing that I never saw any giant Garadiávolo. Lucky for the fishes those hoaxers do not feel like creating such a huge monster.


Cut some parts of the fish to create arms and legs, add some chemicals to preserve it, and you have a nice Garadiávolo.
From the display “Skates, Rays and Jenny Hanivers” (link)

This cottage industry was not created by Alfredo Garamendi. In fact, it’s probable he didn’t create the ones he showed: many fishers create these Garadiávolos to sell them to tourists.

They are periodically promoted as unexplained alien beings, as people soon forget the last timie they were promoted and then explained. The Pravda recently promoted it again as something extraterrestrial, along with a video.

Too bad the internet also has a video of a skate:

There is an ancient name for creatures like the “Garadiávolo”. It’s not known exactly where it came from, thogh it may be related to the French name for Antwerp — Anvers — where these chimera were sold centuries ago. Known as Jenny Hanivers, dragons and basilisks were very popular items on the 16th and 17th centuries, created on Eastern countries just like the Garadiávolos are created today: from flat fishes.

Around 1580, French Ambroise Paré wrote on Des Monstres about a flying fish or sea eagle, considered today as a Jenny Haniver, curiously very similar to Garamendi’s Garadiávolo.

Jenny Haniver drawn by Ambroise Paré on the 16th century (link)

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